Immediately after, Nami's promise with Arlong is revealed as compromised - the establishment of desperation, along with the monstrosity of Arlong, instantly subjugates the mood. But, how the arc builds to it is one of my favorite in shounen. Of course, Luffy will swoop in and save the day. Everyone is still to some degree mysterious. In Arlong Park, Oda unfolds Nami's character with a distinct contrast to the present-day parallel against the backdrop of blue skies and crashing waves, he draws her smiling face, her cockneyed smirk, Zoro's and Sanji's casual rivalry, Usopp's shaking legs at this stage, One Piece is only just having a grasp on its main crew and what their dynamic is like. (One of their only downsides, imo, being their damsel-in-distress milking.) Usually in his victory.Īnd this formula of storytelling is at its finest when relaying Arlong Park and Enies Lobby. As expected, this is oft manifested in a long-running conflict pit against an indomitable, reckless, entropic Luffy. And in One Piece, the contrast between that the miserable and the miracle, is the predominant frame for its pre-timeskip ventures. As each episode, each chapter went on, Nami's plight became steadily ingrained into the unspoken hopelessness of the present-day. The gradual revelation of her history with Arlong.īellemere, the invasion, the promise. Particularly the anime it is the medium I come back to most for this segment, watching with myself (tissuebox) close every time. It is the formula to follow, and in shounen, common in here, executed precisely. For the whole build up to the climactic fight, he is in Nami's life, without any right to be, without any fraction of her past to call his business. His thickheaded loyalty.įirst, he lands into the island like a misfired cannonball. It also capitalizes on early Luffy's most endearing traits his disregard, his carefree spirit. Particularly the build-up in the first half, though the second half is just as good, or the former wouldn't be as well-rounded.Īs with all East Blue arcs, it's spry and non-convoluted.
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